My 3 positives for day 1 are:

I’ve been nominated by Olivia Kirschner to post for 5 days 3 positive things of my life

My 3 positives for day 1 are:

1: I came a fan of Giothermal energy (not quite the same as geothermal),

2: I finished writing a new story,

3: I spilled a full mug of coffee on my carpet but realised that the darker colour of the spill area looks better than the colour of the original carpet, so tomorrow i plan to soak the entire carpet in coffee.

Prolific Writer, where do you…

Gio Clairval: Prolific Writer, where do you find all those ideas of yours? Do they circle about in your head all at a time? Do they ambush you, holding a gun to your temple? Do they keep you in a mental oubliette until you spit everything onto the wriggling white page?

Rhys Hughes: i believe it is just a question of practice as with anything… the more i write, the more easily ideas come to me… these days they won’t leave me alone, they bubble up from somewhere or appear out of nowhere in my waking life, roused into being from a random word, glance, position or situation

Rhys Hughes: and yes i get agitated if i don’t express these ideas as stories… but recently i met a wonderful woman called Nina who is so full of ideas and has such a great imagination that just talking with her satisfied my need to express ideas all the time, though on the obverse side she has inspired many new ones too… but this is all good. 🙂

The Caltraps of Time

The Caltraps of Time I have just finished reading this. It’s science fiction but not the conventional sort. The stories within are more concerned with with the redefining of experiences and situations, with language and communication and the subtleties of meanings under the stresses of time dilation and time shifts, than with the standard themes and props of the genre…

David I. Masson flourished briefly at the end of the 1960s thanks to New Worlds magazine and ‘New Wave’ SF, which encouraged experimentation and a heightened awareness of literary techniques. It was a cultural progression within the genre that sought to broaden the horizons of readers and thus the next generation of writers, and although the general impact wasn’t quite as revolutionary as had been hoped, it did sufficiently change enough perspectives to make a full return to ordinary SF almost inconceivable.

There were many failures among the ‘New Wave’ experiments but in my view the successful work that emerged made the whole movement worthwhile. Masson was one of the best products of this shift, though hardly typical of it; and The Caltraps of Time, his only book, contains the entirety of his oeuvre: ten stories that are radical enough to earn him lasting respect as a highly original and significant intellectual writer.

The first story in this book is also the earliest, ‘Traveller’s Rest’, and it is really very remarkable, the sort of thing that Stanislaw Lem or Borges (if Borges had done SF) might have written. ‘Psychosmosis’, ‘Mouth of Hell’ and ‘Lost Ground’ are also superb. Masson is a bit like a cross between John Sladek and the Strugatsky Brothers with a touch of Ian Watson. For a small minority of SF writers the question “Is this possible?” is less important than “Is this logically rigorous even though it’s impossible?” And generally I prefer fiction that takes the latter approach to the former because it seems more conducive to greater imagination and invention.

a story about polyhedra

Today I am going to start writing a story about polyhedra and each page of the story will be a pattern of creases that can be folded into a tetrahedron, cube, octahedron, dodecahedron and icosahedron, and when they are folded in this manner the words will join up properly and make sense…
It’s a silly idea and more work than it’s worth but I want to do it anyway…